Esme is yanked under, dragged down. She can see nothing but a greenish blur and her mouth and lungs are filled with bitter water. She flails this way and that but has no idea which direction is the surface, where she must fight towards. The sinuous intelligence with which we are led between the thoughts of the demented Kitty, the suffering Esme and the courageous Iris offers good, old-fashioned storytelling beneath a seamlessly modernist style. However, it is the unerring note of pure female anguish that makes this one to buy for the women in your life — especially if they are driving you mad.
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A complete edition of John James Audubon's world famous The Birds of America, bound in linen and beautifully presented in a special slipcase. Accessibility links Skip to article Skip to navigation. Tuesday 18 September Behind the scenes at the asylum. Here she is in the sea: In one, an omniscient narrator tells brief, Gothic anecdotes about Esme's adolescence. She was the precocious daughter of a wealthy Scottish family that had lived in India. We see her parents mostly on the periphery: They are deeply perturbed by her irreverence, her bookishness, her refusal to participate appropriately in the social customs of their rank.
Esme cannot abide the "nervous men with over-combed hair, scrubbed hands and pressed shirts" who come for tea with her and her sister. Then there is a third narrator, the strange, pained, truly mad voice of Esme's sister, Kitty, whose mind is ravaged by Alzheimer's. She lives in a posh rest home just a few miles from the prison-like hospital where Esme spent all those unspeakable decades. Torn by crosscurrents of guilt and self-justification, Kitty's narrative starts and stops in mid-sentences. It's a breathtaking, heart-breaking creation. Even a sympathetic reader, though, might wonder if, like Esme's release, this novel is 60 years too late.
After all, the feminist writer of today confronts a challenge that Gilman, Rhys, Chopin or even Virginia Woolf never had to face: Nowadays, we already understand how Bertha ended up in Rochester's attic; we expect Edna to take that final, liberating swim; we know who's trapped behind the yellow wallpaper. Is there really anything that would shock us about the abuse of psychiatry and medicine in the service of chauvinism and class? The modern-day frame of this novel provides an insightful and troubling response to that objection. Of course, budget cuts and civil rights lawyers have largely dismantled the kinds of places that held people like Esme, but young women still find themselves straitjacketed by subtler forms of restraint.
After all, Iris looks so free, so sexually liberated, but she's trapped, too, incapable of acting on her desires for fear of condemnation and disapproval. In O'Farrell's fierce, engrossing novel, the crimes of the past rear up with surprising vengeance.
We are all, Esme decides, just vessels though which identities pass: Nothing is our own. We begin in the world as anagrams of our antecedents.
She would like to feel the ceaseless drag of the currents flexing beneath her. But she fears it may frighten the girl. Esme is frightening—this much she has learnt. The only thing about it that resonates with that word is horror.
Behind the scenes at the asylum
But there is nothing supernatural about that horror. So, in short, I loved this brilliant, original, exciting, horrifying book and I disliked the cover copy. The Vanishing Act of Esme Lennox is so much bigger and more profound than a weird work of genre fiction. View all 11 comments. Jaline Fabulous review, Betsy! I hope to find a spot for this one later this year. If not, then early next year for sure! I have a couple of her earlier nove Fabulous review, Betsy! I have a couple of her earlier novels I want to read first. Thank you so much for your thoughtful differentiation between "gothic" and a book that is describing a real-life situation that happens to be horrible.
Betsy Robinson Jaline wrote: I have a couple of h Jaline wrote: Thank you so much for I hope you enjoy it. The human brain is a tricky thing and O'Farrell has provided readers with a fascinating look into the psyche of three women in "The Vanishing Act of Esme Lennox. Her inability to go on living as though this woman never existed begins the unraveling of a dark family mystery that few could ever imagine possible.
Although female "hysteria The human brain is a tricky thing and O'Farrell has provided readers with a fascinating look into the psyche of three women in "The Vanishing Act of Esme Lennox. Although female "hysteria" is more a hallmark of the nineteenth century, O'Farrell's book sheds light on how misunderstood mental illness has been even in the first half of the twentieth century and especially for women. This slim novel is told from the perspective of three very different women: Part memory, part story, and part stream of consciousness, this novel is as captivating as it is haunting.
I will say that I was disappointed in the ending mostly because even sitting here at this very moment I am not sure exactly what happened. As a reader, I can handle ambiguity and have no problem using my imagination, but I read the final pages three times without grasping what they were attempting to convey. This prevented me from being able to give the book five stars, something I desperately wanted to do.
However, I would still recommend this book because it is a powerful reminder of how far we have come and how far we have to go in order to truly understand ourselves and accept all the different kinds of people around us. Me ha encantado la narrativa de Maggie, la estructura He adorado a Esme, me ha 4,5. He adorado a Esme, me ha entristecido y me despertaba mucha ternura.
Y no quiero escatimarle ni una estrella. La Madre corta las alas, el padre tranca la cerradura, la hermana tira la llave. Maggie O'Farrell combina todos estos elementos para crear una obra literaria magistral. View all 5 comments. Jan 23, Sonia Gomes rated it liked it Shelves: This review has been hidden because it contains spoilers. To view it, click here. Esmee Lennox incarcerated in a mental asylum at the age of sixteen for sixty years only because she did not fit in with the time, besides she is a convenient scapegoat for the mother, in whose absence the little brother Hugo dies and Esmee remains with the little dead brother for 3 days alone in a house with no one else.
Esmee has a wild sort of beauty that attracts Jamie, Esmee is not so attracted to him, she loves reading, studying but is just curious about sex. The person who really is in lov Esmee Lennox incarcerated in a mental asylum at the age of sixteen for sixty years only because she did not fit in with the time, besides she is a convenient scapegoat for the mother, in whose absence the little brother Hugo dies and Esmee remains with the little dead brother for 3 days alone in a house with no one else. The person who really is in love with Jamie, albeit secretly is Kitty, Esmee's older sister, but Jamie hardly has a glance for her.
Sadly for Esmee, Jamie brutally rapes her on the night of a Ball. This is the beginning of the incarceration for Esmee. Meanwhile Kitty marries Duncan, a weird man maybe a homosexual, we do not know who does not want to have sexual relations with Kitty. What follows is the saddest, most traumatic experience for Esmee, Kitty takes her baby with the approval of Esmee's father and leaves her Esmee in the asylum for the next sixty years.
Esmee reappears only when the asylum is about to close down as Iris Kitty's grand daughter? The worst part in my opinion is that just when Esmee and Iris are getting to know each other, learning to love each other, there is this abrupt, horrendous end. To me it seems contrived, it is as though the author does not have a 'living space' for Esmee and gets her to kill Kitty, so that she goes back into another lunatic asylum.
So Esmee is back into her lonely place with nothing but despair to look forward to, but maybe with a lot of visits from Iris. The end could have been a fruitful, relationship shared by Esmee and Iris View all 16 comments. Jan 17, Pamela rated it liked it. This is one of those stories that has all the components of greatness--a well-concieved, interesting trajectory, mystery, betrayal, tragedy, paralleling societal and family injustice and feminist themes.
There are also some moments of lovely poetry in O'Farrell's writing style. I should have loved it, and I certainly gobbled it up, reading it much more voraciously than I usually read novels. But this novel is simply not fully formed, and therefore has left a number of reviewers unsatisfied. One This is one of those stories that has all the components of greatness--a well-concieved, interesting trajectory, mystery, betrayal, tragedy, paralleling societal and family injustice and feminist themes.
One reviewer mentioned the perplexing choices of the three main characters and that is a very valid point--they don't read with authenticity, but rather as strange contradictions made to power the story through. If these characters continually seem to act against the personalities described and presented, we need to understand why. A reader traverses this novel eagerly, but ultimately monumental events occur in an ephemeral landscape.
We never really get a grip on why Esme's life occurs the way it does--why are her parents so unyielding? Why does her sister never capitulate? And as someone mentions why were we never given a glimpse of a real life where at least one person intervenes or cares about the plight of another?
The events are presented, but they are given to us bare, without perpective or resonance within the psyches of the characters. Another reviewer mentions that she wishes the author had chosen another option for Esme, and I have to agree--although it is not, of course, my story.
Behind the scenes at the asylum - Telegraph
We move along the plot yearning for the clear need for redemption, and instead we are given the most obtuse suggestion of violence. If Esme's choice was such, give us the satisfaction of something tangible--a thought, an outsider's thought, a view The ending IS perplexing, and I couldn't be sure what had happened--although I have a good idea. By contrast one can examine a classically-told, but similar ish story like The Yellow Wallpaper, where we are not left reading and re-reading words for clarification that never really comes, and where the story is satisfying in it's completion.
The Vanishing Act of Esme Lennox feels like an unclosed circle. The three separate voices of the main characters are distinct and interesting. There are some really lovely moments of prose and some edgy and boundary-defying relationships and even some questioning of what we consider "normal.
Oct 31, Shawn Mooney rated it it was amazing Shelves: A fascinatingly screwed-up woman discovers a great-aunt she never knew about, now released from a psychiatric institution after more than 5 decades; as secret after secret unfurls, as she begins to take responsibility for this aunt, the protagonist begins to own her own secret, illicit desires.
My favorite book so far this year, and I have a feeling it will be one of the top three once comes to an end. Interesting, intriguing, sad, suspenseful, shocking are some of the words I would use to describe this book Definitely going to look into reading more by this author! Maggie O'Farrell's new novel asks the question: What do you do if the local psychiactric hospital calls to tell you you've got a great aunt you never knew you had? Iris Lockhart doesn't want to bring a lady who may or may not be crazy into her house, but with her parents gone and her grandmother, Kitty, suffering from alzheimers disease, she hasn't got much family left and Aunt Esme throws everything Iris thinks she knows into question.
It's a compelling story told from a number of angles. The s Maggie O'Farrell's new novel asks the question: The scenes describing Esme's youth in colonial India and subsequent move to Edinburgh are hauntingly evocative. Kitty's epigrammatic ramblings, stylized to convey her spotty memory, feel a bit like literary hocus-pocus. The most curious aspect of the novel is the author's decision not to organize the material into chapters.
Thus, the novel, though brief, unfolds in one long progression of modular scenes. This arrangement compresses the story's framing device so that the scenes set in contemporary Edinburgh feel as if the events have been squeezed into a single week and, at times, reads like a screenplay. I don't think it gives anything away to say that if the past is going to jarringly intrude on the present, as it does for Kitty, there ought to be a reasonable explanation as to how this was able to happen.
Once Esme's vanishing has been explained, we're no closer to knowing how the hospital knew to contact Iris. It's a minor gaffe, but it erodes the reader's confidence in the plot. The flap copy calls The Vanishing Act of Esme Lennox a modern gothic, but its not an apt descriptor and misses the mark by a wide margin.
That said, it's a strong story capably told with a cast of characters who bring a ton of baggage to the table. Esme, is a bit of a cipher, but O'Farrell describes her past with generous detail and shows how easy it was to institutionalize women who didn't fit into society's view of what a proper young lady should be without beating the reader over the head with it. I'm having trouble summing up this book. It's very complex, it's horrifying and it's very, very sad. Iris Lockhart starts getting phone calls one day from a mental institution named Cauldstone claiming that she is listed as the contact for one Esme Lennox - the sister of Iris' grandmother, Katherine Kitty.
Iris insists there must be a mistake, because Katherine never, ever mentioned having a sister. The paperwork proves it, however, and Iris is pretty much forced to take in this old woman who h I'm having trouble summing up this book. The paperwork proves it, however, and Iris is pretty much forced to take in this old woman who has been institutionalized for over sixty years. Not knowing what to expect, a very sad story begins to unfold as it becomes clear that Esme is not sick, and never has been.
Esme grew up in old Scotland at a time when women's lives were planned out for them completely from the moment they were born. The only purpose for a girl was to groom herself for marriage, when she would bear children. Her husband was chosen by her parents and how she happened to feel about the man was not taken into consideration.
As a woman, you were expected to accept the life laid out for you without question or protest. The mistake Esme made? Letting on that she was aware that she not only HAD a brain, but knew how to use it, too. Because she dared to have opinions, express them and try her hardest to break out of the mold, they locked her up and threw away the key - for sixty years. As Iris spends more time with Esme, Esme's tragic story comes into focus, and Iris comes face to face with some awful, very sad truths. This book moved me on a level I wasn't really prepared for. I identified with Esme in that she's a woman who has no desire whatsoever to follow the path laid out for her by society's standards.
And that someone would do what was done to Esme is horrifying. Highly recommended for anyone looking for something thought-provoking. I borrowed this book from my friend Tara, and was it ever a great recommendation! The very nature of this novel makes it a hard one to do a review on without giving away the best parts of the book.
As the story unfolds that surrounds Esme, Iris, and Kitty, the words and feelings have a way of touching the reader quite deeply. As I was making my way through this novel, there came a point where the story held me captive and pushed my emotions to the front, like nothing I've read in quite some time. Many other reviewers have said this, and I will repeat it: Maggie O'Farrell's story of secrets, lies, lost time, and freedom gained by truth is a most superb and remarkable one. There is so much about the human condition that can be learned and teased from its pages.
I'm not sure if anyone will read this review, but I'm wondering what any of you might have thought of Kitty after finishing this book? View all 8 comments. Desde luego, breve pero lleno de emociones. Supongo que eso dice algo. Jan 12, Colleen rated it really liked it Shelves: Locked up decades ago for such outlandish behavior as dancing, Esme Lennox is finally released when her asylum is shut down. Esme is thrust into the care of her grand-niece Iris, a modern young women whose struggle to overcome her "unnatural" love for her step-brother gives her more in common with Esme than either could imagine.
As Iris tries to unravel the mystery of Esme's existence, she learns more though ultimately not enough about her hidden family history, information she never obtained Locked up decades ago for such outlandish behavior as dancing, Esme Lennox is finally released when her asylum is shut down. As Iris tries to unravel the mystery of Esme's existence, she learns more though ultimately not enough about her hidden family history, information she never obtained from her Alzheimers-suffering grandmother Kitty.
The shocking ending packs a powerful punch, and leaves an indelible mark on the reader. This remarkable novel tells the sad tale of the fate that awaited women who didn't fit society's mold not all that many years ago. Marked, and then punished, by events beyond her control, Esme was locked up at 16 and lived in a virtual prison for her entire life. Iris is also living a life constrained by society's expectations, denying her love of her stepbrother yet unable to form a strong connection with anyone else.
The parallel stories highlight the similarities between these two women, but offer hope that Iris will be able to break free in a way Esme never could. From beginning to end this book made me sad and angry by turns, and maintaining that level of intense negative feeling was draining to say the least.
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Though the ending was like a punch in the gut, I applaud the author's ability to stay true to the tone of the novel though I might have wished for a happier ending. I also wouldn't have minded another chapter to fill in at the end, but suspect that would have diluted the power of the narrative. I highly recommend reading this book, but not if you're already having a bad day! May 11, Carol rated it really liked it Shelves: If you like your books linear than this may not work for you. Told in three voices, there's a lot of jumping around and you could easily find yourself losing the rhythm and sequence of events.
Stick with it and you're in for an exceptional story. One of the central themes is the ability to commit women to institutions for virtually any trumped up reason. All it took was a signature of a doctor and off she'd go. O'Farrell states "It is a novel I've wanted to write for a long time. I first had the If you like your books linear than this may not work for you. I first had the idea—of a woman who is incarcerated in an asylum for a lifetime—15 years ago….
The idea never went away, and I gradually amassed more and more stories and examples of girls who had been committed in the early 20th century for little more than being disobedient or recalcitrant.
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In an especially poignant exchange, one of them asked O'Farrell if she had been allowed to keep the baby she had recently given birth to. One of the main characters, Euphemia Lennox Esme is committed as a young girl in the early 30's and is due to be released in the 90's because the institution is to be closed.
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Esme's closest relative, her sister Kitty, is suffering dementia, so her grand niece, Iris is approached to care for her. Only Iris doesn't even know Esme exists.
Talk about family secrets; this is like locking up the batty aunt in the bell tower and throwing away the key, but no one knows why. Attempted by a less skilled writer, Vanishing Act could have fell flat on its face. O'Farrell's expertise with plot, characters and building suspenseful tension propels us on a horrifying, haunting journey with an ending that is perfect.
It truly made me squirm. Examining issues of mental illness, the plight of women, family secrets, betrayal, jealousy and duty; it's worth a read and perhaps even a re-read to solidify just what happened. Can't wait to hear what my book group thinks. They're either going to love it or hate it. Either way it should be a lively discussion.